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Englisch > Türkisch: Tasvirden Çağrışıma General field: Geistes- und Sozialwissenschaften Detailed field: Sonstige
Ausgangstext - Englisch From Representation to Evocation: Tracing a Progression in Jean Rouch’s Les magiciens de Wanzerbe´, Les maıˆtres fous, and Jaguar
In this article, I describe and analyze the ways in which the Other is represented in three of Jean Rouch’s earlier films. After briefly outlining Rouch’s relationship to the cinema of Robert Flaherty, I look closely at Les magiciens de Wanzerbé [1948], Les maîtres fous [1954], and Jaguar [1954–1967], and argue that these films exhibit a progression from a conventional, colonialist mode of documentary practice to a more open, polyvocal, collaborative form. I conclude by suggesting that this transition constitutes a shift from the attempt to represent that which can never be adequately represented to the evocation of it.
‘‘I would like to know why you don’t like my purely ethnographic films [ . . . ].’’ —Jean Rouch speaking to Ousmane Sembéne
‘‘What I reproach them for [ . . . ] is that you observe [Africans] like insects.’’ —Sembénee’s response
Übersetzung - Türkisch Tasvirden Çağrışıma: Jean Rouch’un Les Magiciens de Wanzerbé, Les Maîtres fous, ve Jaguar filmlerindeki ilerlemenin izinde
Bu makalede, Jean Rouch’un erken dönem üç filminde, Öteki’nin ne şekilde tasvirlendiğini anlatıp, inceleyeceğim. Rouch’un, Robert Flaherty sinemasıyla ilişkisini ana hatlarıyla belirttikten sonra, Les Magiciens de Wanzerbe (Wanzerbe’nin Büyücüleri) [1948], Les Maîtres Fous (Çılgın Üstad)[1954] ve Jaguar (Jaguar)[1954-1967] filmlerine daha detaylı bakarak, bu filmlerin belgeselin geleneksel, sömürgeci pratikten, daha açık, çok sesli ve işbirlikçi bir biçime doğru ilerleme sunduğunu öne süreceğim. Bu geçişin, hiç bir zaman layığıyla tanıtılamayacak olanın tasvir çabasından, onun çağrışımına doğru bir değişim oluşturduğu önerisiyle sonuçlandıracağım.
“Benim tamamen etnografik olan filmlerimi neden beğenmediğinizi bilmek isterim [...]” – Jean Rouch’un , Ousmane Sembéne ile konuşmasından.
“Benim filmlerinize eleştirim [...] sizin Afrikalıları böcekler gibi gözlemlemeniz.” – Sembéne’nin cevabı.
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Erfahrung
Übersetzungserfahrung in Jahren: 28. Angemeldet bei ProZ.com seit: Sep 2008.
I am an academic. During the years of university as a student, I began to make translations. Since 2009 I am working as professional translator as freelancer.
Some of my works were in literature. I am also specialized in philosophical and artistic texts. I did translation for individual persons and some publications in Turkey.
During 200-2001, I work for a public relations agency, and I was also responsible for the translations of the projects of the related clients. So I can translate texts from marketing and public relations.
Since cinema, film, travelling education and games are my personal interest I can take part for the translation projects of these areas.
Schlüsselwörter: children's book, artistic texts, social science, philosophy, art history, criticism, conference texts, literary, management, marketing. See more.children's book, artistic texts, social science, philosophy, art history, criticism, conference texts, literary, management, marketing, public relations, education, journalism, tourism, travel, film, cinema, TV, games, video games. See less.
