There are also resonances with the poet's contemporaries in France, such as the rhetorical positioning of questions, pauses, and statements one hears in Philippe Beck's Dernière mode familiale (Flammarion, 2000), or the momentum of repeating verbal constructions that elegantly subsumes the (anti)aesthetic power of proper names and referents in Pierre Alferi's Kub Or (P.O.L., 1994).

http://www.doublechange.com/issue4/wiener-eng.htm


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Note added at 23 mins (2008-08-22 21:13:50 GMT)
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Emily Dickinson
Like Emerson, she holds that beauty, truth and goodness are ultimately one. Little that she wrote seemed conventional: her choice of words, her verbal constructions, even her spelling. Her poetry abounds in telling images. A salient feature of her technique was a severe economy of expression. Her poetic idiom is noted for its laconic brevity, directness and plainest words.
http://xibu.tjfsu.edu.cn/elearning/en/en_01/w_ed/intro.htm

Sá-Carneiro’s poetry, written in Paris, expresses the crisis of a personality inadequate to its own intense feelings; it perhaps hints at the reasons for his suicide in 1916. His Dispersão (1914; “Dispersion”) features exuberant images, an obsession with verbal constructions and metaphors, and experimentation with graphic design and fonts.
http://www.britannica.com